by Nikki Olson
Ray Kurzweil’s 1999 book The Age of Spiritual Machines has a metallic, semi-reflective cover. One way to interpret this stylistic choice has been to think of the cover as a metaphor for the rest of the book in that it is meant to reflect the future of humanity; literally. When looking at the cover, one sees a metallic version of oneself. Kurzweil predicts that we will merge with machines so that the human race becomes a hybridization of man and machine, of biological and non-biological. The cover is a figurative mirror test for human-machine consciousness. When looking at the cover, one sees one’s future self. When Kurzweil first proposed that machines would be spiritual, his view was met with strong criticism. Many academics and theologians rejected the idea altogether, claiming that Kurzweil really didn’t understand spirituality, or, that accepting his [...]
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by Daniel Finfer
For the past five years, I have been researching primarily two subjects: The increasing rate at which technology advances; and the changing music industry. Ideas slowly started to form during this research, and it hasn’t been until now that I have felt like I fully understood how they might work together in unison. I am a multi-instrumentalist producer first and foremost, and my projects Post Human Era and Ancient Lasers (with Daniel Anderson of Idiot Pilot) strive to close the gaps between these two areas of research. I was thinking about this: Why do people pay money to download music? Music is almost free whether you like it or not. It no longer costs thousands of dollars to make a good record, just knowledge and good software. Trying to fight music piracy and stomp out torrent sites will only make [...]
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